Dave Brubeck

BIOGRAFIA

bio-arrow

Dave Brubeck has long served as proof that creative jazz and popular success can go together. Although critics who had championed him when he was unknown seemed to scorn him when the Dave Brubeck Quartet became a surprise success, in reality Brubeck never watered down or altered his music in order to gain a wide audience. Creative booking (being one of the first groups to play regularly on college campuses) and a bit of luck resulted in great popularity, and Dave Brubeck remains one of the few household names in jazz.

From nearly the start, Brubeck enjoyed utilizing poly-rhythms and poly-tonality (playing in two keys at once). He had classical training from his mother, but fooled her for a long period by memorizing his lessons and not learning to read music. He studied music at the College of the Pacific during 1938-1942. Brubeck led a service band in General Patton's Army during World War II and then, in 1946, he started studying at Mills College with the classical composer Darius Milhaud, who encouraged his students to play jazz. During 1946-1949, Brubeck led a group mostly consisting of fellow classmates, and they recorded as the Dave Brubeck Octet; their music (released on Fantasy in 1951) still sounds advanced today, with complex time signatures and some poly-tonality. The octet was too radical to get much work, so Brubeck formed a trio with drummer Cal Tjader (who doubled on vibes) and bassist Ron Crotty. The trio's Fantasy recordings of 1949-1951 were quite popular in the Bay Area, but the group came to an end when Brubeck hurt his back during a serious swimming accident and was put out of action for months.

Upon his return in 1951, Brubeck was persuaded by altoist Paul Desmond to make the group a quartet. Within two years, the band had become surprisingly popular. Desmond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing; both Brubeck and Desmond had original sounds and styles that owed little to their predecessors. Joe Dodge was the band's early drummer but, after he tired of the road, the virtuosic Joe Morello took his place in 1956; while the revolving bass chair finally settled on Eugene Wright in 1958. By then, Brubeck had followed his popular series of Fantasy recordings with some big sellers on Columbia, and had appeared on the cover of Time (1954). The huge success of Paul Desmond's "Take Five" (1960) was followed by many songs played in "odd" time signatures such as 7/4 and 9/8; the high-quality soloing of the musicians kept these experiments from sounding like gimmicks. Dave and Iola Brubeck (his wife and lyricist) put together an anti-racism show featuring Louis Armstrong (The Real Ambassadors) which was recorded, but its only public appearance was at the Monterey Jazz Festival in the early '60s.

The Dave Brubeck Quartet constantly traveled around the world until its breakup in 1967. After some time off, during which he wrote religious works, Brubeck came back the following year with a new quartet featuring Gerry Mulligan, although he would have several reunions with Desmond before the altoist's death in 1977. Brubeck joined with his sons Darius (keyboards), Chris (electric bass and bass trombone), and Danny (drums) in Two Generations of Brubeck in the 1970s. In the early '80s, tenor saxophonist Jerry Bergonzi was in the Brubeck Quartet, and beginning in the mid-'80s, clarinetist Bill Smith (who was in the original octet) alternated with altoist Bobby Militello.

There is no shortage of Dave Brubeck records currently available, practically everything he cut for Fantasy, Columbia, Concord, and Telarc are easy to locate. Brubeck, whose compositions "In Your Own Sweet Way," "The Duke," and "Blue Rondo a la Turk" have become standards, remained very busy (despite some bouts of bad health) into the 2000s.

by Scott Yanow

Courtesy of All Music & the Verve Music Group

foto news
06 Dicembre 2012

La scomparsa di Dave Brubeck

A pochi giorni dal 92° compleanno, scompare un grande divulgatore (e talent scout)




footer
 
ULTIME NEWS
17 Novembre 2017

Esce 'JAZZ LOVES DISNEY 2 - A Kind of Magic'!

Il nuovo capitolo, questa volta con George Benson, Madeleine Peyroux, Jamie Cullum, Angelique Kidjo, Jackob Collier…

15 Novembre 2017

JOHN LEE HOOKER " King of the Boogie": 100 tracce su 5CD ripercorrono la favolosa carriera del grande bluesman nel 100° anniversario della nascita

Un cofanetto a tiratura limitata, con brani entrati nel mito, rarità, registrazioni dal vivo e materiale INEDITO

13 Novembre 2017

Oggi su RAI Radio1 l'intervista a Michael Stipe, in occasione dell'uscita dell'edizione per il 25° anniversario di 'AUTOMATIC FOR THE PEOPLE'

John Vignola ospita la grande voce solista dei R.E.M. per "Fuori Gioco": appuntamento intorno alle ore 16, non mancare!


artista


UNIVERSAL MUSIC ITALIA s.r.l.
Via Benigno Crespi, 19 - 20159 Milano
P.IVA IT03802730154 Iscritta al REA di Milano con il numero 966135 in data 29/06/1977
Capitale sociale Euro 1.300.000 interamente versato
facebook twitter youtube Google+
SEGUICI SU: