Handel: Rodelinda

Alan Curtis     Il Complesso Barocco     Steve Davislim     Simone Kermes     Marie-Nicole Lemieux     Marijana Mijanovic    

Handel: Rodelinda
DIGITAL
eAlbum Audio - 3 supporti
16.05.2005
Archiv Produktion
UPC 00028947753919


compositori:
George Frideric Handel

Handel: Rodelinda

Supporto 1
1 Overture
04:02 Il Complesso Barocco, Alan Curtis
Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
2 Menuetto
02:41 Il Complesso Barocco, Alan Curtis
Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
3 Ho perduto il caro sposo
02:51 Simone Kermes, Il Complesso Barocco, Alan Curtis
Executive Producer: Marita Prohmann - Soprano: Simone Kermes - Recording Producer: Arend Prohmann - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
4 Regina? Grimoaldo
01:07 Steve Davislim, Simone Kermes, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
5 L'empio rigor del fato
04:29 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
6 Duca, vedesti mai - È tanto, da che sei re
01:29 Steve Davislim, Vito Priante, Sonia Prina, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Bass (Vocal): Vito Priante - Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
7 Io già t'amai
03:45 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
8 E tu dici d'amarmi?
00:34 Sonia Prina, Vito Priante, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
9 Lo farò; dirò: spietato
03:18 Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
10 Eduige, t'inganni
00:20 Vito Priante, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
11 Di Cupido impiego i vanni
04:14 Vito Priante, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
12 Sinfonia ed Accompagnato. Pompe vane di morte
01:58 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
13 Dove sei, amato bene?
04:52 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
14 Ma giunge Unulfo, oh Dio!
01:59 Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
15 Ombre, piante, urne funeste! [Rodelinda / Act 1]
05:40 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
16 Ombra del mio bel sol
00:52 Simone Kermes, Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
17 Baci inutili e vani
01:53 Vito Priante, Marijana Mijanovic, Marie-Nicole Lemieux, Simone Kermes, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
18 Morrai, sì; L'empia tua testa
04:30 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
19 E ben, Duca, poss'io all'ardor
00:41 Steve Davislim, Vito Priante, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
20 Se per te giungo a godere
03:36 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
21 Unulfo, oh Dio!
00:50 Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
22 Sono i colpi della sorte (alternative version)
05:04 Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
23 Si l'infida consorte
00:18 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
24 Confusa si miri l'infida consorte
04:55 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
Supporto 2
1 Già perdesti, o Signora - Rodelinda, sì mesta ritorni
01:56 Vito Priante, Sonia Prina, Simone Kermes, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Contralto: Sonia Prina - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
2 De' miei scherni per far le vendette
04:20 Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
3 Rodelinda, è pur ver?
02:03 Steve Davislim, Simone Kermes, Marie-Nicole Lemieux, Vito Priante, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Soprano: Simone Kermes - Contralto: Marie-Nicole Lemieux - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
4 Spietati, io vi giurai
04:50 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
5 Unulfo, Garibaldo
00:58 Steve Davislim, Marie-Nicole Lemieux, Vito Priante, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Contralto: Marie-Nicole Lemieux - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
6 Prigioniera ho l'alma in pena
05:04 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
7 Massime così indegne
00:35 Marie-Nicole Lemieux, Vito Priante, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Executive Producer: Marita Prohmann - Conductor: Alan Curtis - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
8 Tirannia gli diede il regno
02:51 Vito Priante, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
9 Sì, sì, fellon, t'intendo
00:27 Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
10 Fra tempeste funeste a quest'alma
04:04 Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
11 Con rauco mormorio
06:02 Vito Priante, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
12 Ah no, che non m'inganna
02:49 Sonia Prina, Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
13 Scacciata dal suo nido
04:27 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
14 Vive il mio sposo?
00:56 Simone Kermes, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
15 Ritorna, oh caro e dolce mio tesoro
03:58 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
16 Ah, sì! ecco lo sposo!
02:49 Simone Kermes, Marijana Mijanovic, Steve Davislim, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
17 Tuo drudo è mio rivale
03:12 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
18 Non ti bastò, consorte
00:44 Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
19 Io t'abbraccio
06:49 Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
Supporto 3
1 Dal german nel periglio
01:18 Sonia Prina, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
2 Un zeffiro spirò
05:33 Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
3 Con opra giusta
00:15 Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
4 Quanto più fiera tempesta freme
03:26 Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
5 O falso è Bertarido
01:15 Vito Priante, Steve Davislim, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
6 Tra sospetti, affetti e timori
04:17 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
7 Chi di voi fu più infedele
02:52 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
8 Ma non so che dal remoto balcon - Non temere. Signor?
04:51 Marijana Mijanovic, Marie-Nicole Lemieux, Sonia Prina, Simone Kermes, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Contralto: Sonia Prina - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
9 Se'l mio duol non è sì forte
06:41 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
10 Amico, ah, che a me duole
00:56 Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
11 Se fiera belva ha cinto
04:33 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
12 Fatto inferno è il mio petto
03:23 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
13 Pastorello d'un povero armento
03:52 Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
14 Che miro? Amica sorte - Tu morrai, traditor!
01:14 Vito Priante, Steve Davislim, Marijana Mijanovic, Simone Kermes, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Alto: Steve Davislim - Contralto: Marijana Mijanovic - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
15 Vivi, tiranno, io t'ho scampato
05:24 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
16 Dunque sei Bertarido? - Eccoti innanzi il reo
01:15 Marie-Nicole Lemieux, Sonia Prina, Steve Davislim, Marijana Mijanovic, Simone Kermes, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Contralto: Sonia Prina - Alto: Steve Davislim - Contralto: Marijana Mijanovic - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
17 Mio caro, caro bene
03:54 Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
18 Sposa, figlio, sorella
00:31 Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
19 D'ogni crudel martir
05:25 Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
20 Dopo la notte oscura
01:33 Simone Kermes, Sonia Prina, Marijana Mijanovic, Marie-Nicole Lemieux, Steve Davislim, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Sonia Prina - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
21 Sono i colpi della sorte
04:07 Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
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