1
"Che gelida manina" [La Bohème / Act 1] (Live At Accademia di Santa Cecilia, Rome / 1987)
05:14
Jerry Hadley, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein
Tenor: Jerry Hadley - Orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia - Conductor: Leonard Bernstein - Producer: Hanno Rinke - Recording Producer: Hans Weber - Balance Engineer: Klaus Scheibe - Recording Engineer: Jobst Eberhardt - Recording Engineer: Wolf-Dieter Karwatky - Editor: Rainer Maillard - Composer: Giacomo Puccini
2
Un bel dì vedremo [Madama Butterfly / Act 2]
05:01
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Producer: Guenther Breest - Soprano: Mirella Freni - Orchestra: Philharmonia Orchestra - Recording Producer: Wolfgang Stengel - Conductor: Giuseppe Sinopoli - Balance Engineer: Klaus Hiemann - Recording Engineer: Rainer Hoepfner - Recording Engineer: Volker Martin - Recording Engineer: Hans-Rudolf Müller - Editor: Wolf-Dieter Karwatky - Editor: Reinhild Schmidt - Editor: Andrew Wedman - Composer: Giacomo Puccini
3
Coro a bocca chiusa (Humming Chorus)
03:03
Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus
Producer: Guenther Breest - Orchestra: Philharmonia Orchestra - Conductor: Giuseppe Sinopoli - Recording Producer: Wolfgang Stengel - Choir: Ambrosian Opera Chorus - Balance Engineer: Klaus Hiemann - Recording Engineer: Rainer Hoepfner - Recording Engineer: Volker Martin - Recording Engineer: Hans-Rudolf Müller - Editor: Wolf-Dieter Karwatky - Editor: Reinhild Schmidt - Editor: Andrew Wedman - Chorus Master: John McCarthy - Composer: Giacomo Puccini
4
"Recondita armonia"
03:59
José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan
Producer: Guenther Breest - Tenor: José Carreras - Bass (Vocal): Fernando Corena - Recording Producer: Michel Glotz - Orchestra: Berliner Philharmoniker - Balance Engineer: Günter Hermanns - Conductor: Herbert von Karajan - Recording Engineer: Jobst Eberhardt - Recording Engineer: Volker Martin - Composer: Giacomo Puccini
5
"Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" [Tosca / Act 1]
05:55
Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan
Producer: Guenther Breest - Soprano: Katia Ricciarelli - Tenor: José Carreras - Recording Producer: Michel Glotz - Orchestra: Berliner Philharmoniker - Balance Engineer: Günter Hermanns - Conductor: Herbert von Karajan - Recording Engineer: Jobst Eberhardt - Recording Engineer: Volker Martin - Composer: Giacomo Puccini
6
"Vissi d'arte, vissi d'amore"
03:51
Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan
Soprano: Katia Ricciarelli - Bass (Vocal): Ruggero Raimondi - Orchestra: Berliner Philharmoniker - Conductor: Herbert von Karajan - Producer: Guenther Breest - Recording Producer: Michel Glotz - Balance Engineer: Günter Hermanns - Recording Engineer: Jobst Eberhardt - Recording Engineer: Volker Martin - Composer: Giacomo Puccini
7
"E lucevan le stelle" [Tosca / Act 3]
03:23
José Carreras, Berliner Philharmoniker, Herbert von Karajan
Tenor: José Carreras - Orchestra: Berliner Philharmoniker - Conductor: Herbert von Karajan - Producer: Guenther Breest - Recording Producer: Michel Glotz - Balance Engineer: Günter Hermanns - Recording Engineer: Jobst Eberhardt - Recording Engineer: Volker Martin - Composer: Giacomo Puccini
8
Non piangere, Liù! - Ah! Per l'ultima volta! [Turandot / Act 1]
05:37
Barbara Hendricks, Heinz Zednik, Francisco Araiza, Plácido Domingo, Ruggero Raimondi, Gottfried Hornik, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
Soprano: Barbara Hendricks - Recording Producer: Guenther Breest - Tenor: Heinz Zednik - Recording Supervisor: Michel Glotz - Tenor: Francisco Araiza - Balance Engineer: Günter Hermanns - Recording Engineer: Jobst Eberhardt - Tenor: Plácido Domingo - Recording Engineer: Jost Michael Haase - Bass (Vocal): Ruggero Raimondi - Bass (Vocal): Gottfried Hornik - Recording Engineer: Volker Martin - Editor: Reinhild Schmidt - Choir: Wiener Staatsopernchor - Chorus Master: Roberto Benaglio - Orchestra: Wiener Philharmoniker - Conductor: Herbert von Karajan - Composer: Giacomo Puccini
9
"Nessun dorma" [Turandot / Act 3]
03:25
Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor
Recording Producer: Guenther Breest - Tenor: Plácido Domingo - Recording Supervisor: Michel Glotz - Orchestra: Wiener Philharmoniker - Balance Engineer: Günter Hermanns - Conductor: Herbert von Karajan - Recording Engineer: Jobst Eberhardt - Chorus: Wiener Staatsopernchor - Recording Engineer: Jost Michael Haase - Recording Engineer: Volker Martin - Editor: Reinhild Schmidt - Chorus Master: Roberto Benaglio - Composer: Giacomo Puccini
10
"Una furtiva lagrima" [L'elisir d'amore / Act 2]
04:38
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
Recording Producer: Hans Weber - Tenor: Plácido Domingo - Balance Engineer: Hans-Peter Schweigmann - Orchestra: Los Angeles Philharmonic - Conductor: Carlo Maria Giulini - Recording Engineer: Klaus Behrens - Editor: Hans Weber - Composer: Gaetano Donizetti
11
No.2 Cavatina: "Largo al factotum" [Il barbiere di Siviglia / Act 1]
04:43
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Baritone: Hermann Prey - Orchestra: London Symphony Orchestra - Conductor: Claudio Abbado - Producer: Karl Faust - Recording Producer: Rainer Brock - Balance Engineer: Hans-Peter Schweigmann - Recording Engineer: Joachim Niss - Recording Engineer: Volker Martin - Editor: Christa Conrad - Editor: Wolfgang Werner - Editor: Gernot Westhaeuser - Editor: Klaus Behrens - Editor: Volker Martin - Composer: Gioacchino Rossini
12
Una voce poco fa [Il barbiere di Siviglia / Act 1]
05:31
Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Producer: Karl Faust - Mezzo-Soprano: Teresa Berganza - Orchestra: London Symphony Orchestra - Recording Producer: Rainer Brock - Conductor: Claudio Abbado - Balance Engineer: Hans-Peter Schweigmann - Recording Engineer: Joachim Niss - Recording Engineer: Volker Martin - Editor: Christa Conrad - Editor: Wolfgang Werner - Editor: Gernot Westhaeuser - Editor: Klaus Behrens - Editor: Volker Martin - Composer: Gioacchino Rossini
13
No.6 Aria: "La calunnia è un venticello"
04:25
Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado
Producer: Karl Faust - Bass (Vocal): Paolo Montarsolo - Orchestra: London Symphony Orchestra - Recording Producer: Rainer Brock - Conductor: Claudio Abbado - Balance Engineer: Hans-Peter Schweigmann - Recording Engineer: Joachim Niss - Recording Engineer: Volker Martin - Editor: Christa Conrad - Editor: Wolfgang Werner - Editor: Gernot Westhaeuser - Editor: Klaus Behrens - Editor: Volker Martin - Composer: Gioacchino Rossini
14
"Printemps qui commence"
06:47
Elena Obraztsova, Robert Lloyd, Orchestre de Paris, Daniel Barenboim
Mezzo-Soprano: Elena Obraztsova - Executive Producer: Guenther Breest - Executive Producer: Michael Horwath - Bass (Vocal): Robert Lloyd - Orchestra: Orchestre de Paris - Recording Producer: Wolfgang Stengel - Conductor: Daniel Barenboim - Balance Engineer: Klaus Scheibe - Recording Engineer: Jobst Eberhardt - Recording Engineer: Hans-Rudolf Müller - Editor: Reinhild Schmidt - Composer: Camille Saint-Saëns
15
Bacchanale [Samson et Dalila, Op. 47, R. 288 / Act 3]
07:14
Orchestre de Paris, Daniel Barenboim
Producer: Guenther Breest - Orchestra: Orchestre de Paris - Conductor: Daniel Barenboim - Producer: Michael Horwath - Recording Producer: Wolfgang Stengel - Balance Engineer: Klaus Scheibe - Recording Engineer: Jobst Eberhardt - Recording Engineer: Hans-Rudolf Müller - Editor: Reinhild Schmidt - Composer: Camille Saint-Saëns
16
Overture (Prelude)
03:28
London Symphony Orchestra, Claudio Abbado
Orchestra: London Symphony Orchestra - Producer: Rainer Brock - Conductor: Claudio Abbado - Recording Producer: Rainer Brock - Balance Engineer: Karl-August Naegler - Recording Engineer: Joachim Niss - Recording Engineer: Gernot Westhaeuser - Recording Engineer: Wolf-Dieter Karwatky - Editor: Joachim Niss - Composer: Georges Bizet
17
"L'amour est un oiseau rebelle" (Havanaise) [Carmen / Act 1]
04:22
Teresa Berganza, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado
Producer: Rainer Brock - Mezzo-Soprano: Teresa Berganza - Chorus: Ambrosian Singers - Recording Producer: Rainer Brock - Balance Engineer: Karl-August Naegler - Orchestra: London Symphony Orchestra - Conductor: Claudio Abbado - Recording Engineer: Joachim Niss - Recording Engineer: Gernot Westhaeuser - Recording Engineer: Wolf-Dieter Karwatky - Editor: Joachim Niss - Chorus Master: John McCarthy - Composer: Georges Bizet
18
Chanson et Duo: "Près des remparts de Séville"
04:39
Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
Producer: Rainer Brock - Mezzo-Soprano: Teresa Berganza - Tenor: Plácido Domingo - Recording Producer: Rainer Brock - Balance Engineer: Karl-August Naegler - Orchestra: London Symphony Orchestra - Conductor: Claudio Abbado - Recording Engineer: Joachim Niss - Recording Engineer: Gernot Westhaeuser - Recording Engineer: Wolf-Dieter Karwatky - Editor: Joachim Niss - Composer: Georges Bizet
19
Les tringles des sistres tintaient (Carmen, Mercédès, Frasquita)
05:06
Teresa Berganza, Alicia Nafé, Yvonne Kenny, London Symphony Orchestra, Claudio Abbado
Producer: Rainer Brock - Mezzo-Soprano: Teresa Berganza - Mezzo-Soprano: Alicia Nafé - Recording Producer: Rainer Brock - Balance Engineer: Karl-August Naegler - Soprano: Yvonne Kenny - Recording Engineer: Joachim Niss - Orchestra: London Symphony Orchestra - Conductor: Claudio Abbado - Recording Engineer: Gernot Westhaeuser - Recording Engineer: Wolf-Dieter Karwatky - Editor: Joachim Niss - Composer: Georges Bizet
20
Couplets: "Votre toast, je peux vous le rendre" [Carmen / Act 2]
05:09
Yvonne Kenny, Teresa Berganza, Alicia Nafé, Jean Lainé, Sherrill Milnes, Robert Lloyd, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers
Producer: Rainer Brock - Soprano: Yvonne Kenny - Balance Engineer: Karl-August Naegler - Mezzo-Soprano: Teresa Berganza - Mezzo-Soprano: Alicia Nafé - Recording Engineer: Joachim Niss - Recording Engineer: Gernot Westhaeuser - Tenor: Jean Lainé - Baritone: Sherrill Milnes - Recording Engineer: Wolf-Dieter Karwatky - Editor: Joachim Niss - Bass (Vocal): Robert Lloyd - Chorus Master: John McCarthy - Orchestra: London Symphony Orchestra - Conductor: Claudio Abbado - Chorus: Ambrosian Singers - Composer: Georges Bizet
21
La fleur que tu m'avais jetée (Don José)
04:20
Plácido Domingo, London Symphony Orchestra, Claudio Abbado
Tenor: Plácido Domingo - Recording Producer: Rainer Brock - Balance Engineer: Karl-August Naegler - Orchestra: London Symphony Orchestra - Conductor: Claudio Abbado - Recording Engineer: Joachim Niss - Recording Engineer: Gernot Westhaeuser - Recording Engineer: Wolf-Dieter Karwatky - Editor: Joachim Niss - Composer: Georges Bizet
22
"Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) [Les Contes d'Hoffmann / Act 1]
05:00
Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National de France, Seiji Ozawa
Chorus Master: Jacques Jouineau - Tenor: Plácido Domingo - Tenor: Robin Leggate - Chorus: Choeurs de Radio France - Orchestra: Orchestre National de France - Conductor: Seiji Ozawa - Composer: Jacques Offenbach
23
"Les oiseaux dans la charmille" [Les Contes d'Hoffmann / Act 2]
05:29
Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National de France, Seiji Ozawa
Soprano: Edita Gruberova - Choir: Choeurs de Radio France - Chorus Master: Jacques Jouineau - Orchestra: Orchestre National de France - Conductor: Seiji Ozawa - Executive Producer: Cord Garben - Recording Producer: James Mallison - Production Coordinator: Claudia Hamann - Balance Engineer: Michel Lepage - Recording Engineer: Olivier Beurotte - Recording Engineer: Hans-Peter Schweigmann - Editor: Jürgen Bulgrin - Composer: Jacques Offenbach
24
"Belle nuit, ô nuit d'amour" [Les Contes d'Hoffmann / Act 4]
03:46
Edita Gruberova, Claudia Eder, Orchestre National de France, Seiji Ozawa, Choeurs de Radio France
Soprano: Edita Gruberova - Chorus Master: Jacques Jouineau - Mezzo-Soprano: Claudia Eder - Producer: Cord Garben - Recording Producer: James Mallison - Orchestra: Orchestre National de France - Production Coordinator: Claudia Hamann - Conductor: Seiji Ozawa - Chorus: Choeurs de Radio France - Balance Engineer: Michel Lepage - Recording Engineer: Olivier Beurotte - Recording Engineer: Hans-Peter Schweigmann - Editor: Jürgen Bulgrin - Composer: Jacques Offenbach
25
Va pensiero, sull'ali dorate [Nabucco / Act 3]
04:58
Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin
Producer: Dr. Hans Hirsch - Orchestra: Orchester der Deutschen Oper Berlin - Conductor: Giuseppe Sinopoli - Recording Producer: Wolfgang Stengel - Chorus: Chor der Deutschen Oper Berlin - Production Coordinator: Renate Kupfer - Production Coordinator: Hanno Rinke - Balance Engineer: Klaus Hiemann - Recording Engineer: Christopher Alder - Recording Engineer: Jürgen Bulgrin - Editor: Christopher Alder - Chorus Master: Walter Hagen-Groll - Composer: Giuseppe Verdi
26
Libiamo ne'lieti calici
02:56
Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber
Producer: Dr. Hans Hirsch - Soprano: Ileana Cotrubas - Production Coordinator: Helen Kuzaj - Tenor: Plácido Domingo - Chorus: Chor der Bayerischen Staatsoper München - Recording Producer: Hans Weber - Orchestra: Bavarian State Orchestra - Recording Engineer: Klaus Behrens - Conductor: Carlos Kleiber - Recording Engineer: Wolf-Dieter Karwatky - Balance Engineer: Klaus Scheibe - Chorus Master: Wolfgang Baumgart - Composer: Giuseppe Verdi
27
"Lunge da lei" - "De' miei bollenti spiriti" [La Traviata / Act 2]
03:35
Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber
Tenor: Plácido Domingo - Orchestra: Bavarian State Orchestra - Conductor: Carlos Kleiber - Producer: Dr. Hans Hirsch - Production Coordinator: Helen Kuzaj - Recording Producer: Hans Weber - Balance Engineer: Klaus Scheibe - Recording Engineer: Klaus Behrens - Recording Engineer: Wolf-Dieter Karwatky - Composer: Giuseppe Verdi
28
"Di Provenza il mar, il suol"
04:05
Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber
Producer: Dr. Hans Hirsch - Baritone: Sherrill Milnes - Orchestra: Bavarian State Orchestra - Production Coordinator: Helen Kuzaj - Conductor: Carlos Kleiber - Recording Producer: Hans Weber - Recording Engineer: Klaus Behrens - Recording Engineer: Wolf-Dieter Karwatky - Balance Engineer: Klaus Scheibe - Composer: Giuseppe Verdi
29
"Vedi! le fosche notturne spoglie" (Anvil Chorus)
02:52
Coro dell'Accademia Nazionale di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Chorus: Coro dell'Accademia Nazionale di Santa Cecilia - Producer: Guenther Breest - Recording Producer: Hans Weber - Orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia - Conductor: Carlo Maria Giulini - Balance Engineer: Klaus Scheibe - Recording Engineer: Klaus Behrens - Recording Engineer: Jobst Eberhardt - Editor: Klaus Behrens - Production Coordinator: Claudia Hamann - Chorus Master: Norbert Balatsch - Composer: Giuseppe Verdi
30
"Di quella pira"
03:42
Rosalind Plowright, Plácido Domingo, Walter Gullino, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini, Coro dell'Accademia Nazionale di Santa Cecilia
Recording Producer: Hans Weber - Soprano: Rosalind Plowright - Balance Engineer: Klaus Scheibe - Tenor: Plácido Domingo - Recording Engineer: Klaus Behrens - Tenor: Walter Gullino - Recording Engineer: Jobst Eberhardt - Orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia - Conductor: Carlo Maria Giulini - Editor: Klaus Behrens - Production Coordinator: Claudia Hamann - Choir: Coro dell'Accademia Nazionale di Santa Cecilia - Chorus Master: Norbert Balatsch - Composer: Giuseppe Verdi
31
"Gloria all'Egitto" [Aida / Act 2]
03:27
Orchestra del Teatro alla Scala di Milano, Claudio Abbado, Coro del Teatro alla Scala di Milano
Orchestra: Orchestra del Teatro alla Scala di Milano - Producer: Rainer Brock - Conductor: Claudio Abbado - Recording Producer: Rainer Brock - Chorus: Coro del Teatro alla Scala di Milano - Recording Producer: Renate Kupfer - Balance Engineer: Klaus Hiemann - Recording Engineer: Klaus Behrens - Recording Engineer: Joerg Iwaschuta - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Christopher Alder - Editor: Joachim Niss - Composer: Giuseppe Verdi
32
Grand March [Aida / Act 2]
01:35
Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Orchestra: Orchestra del Teatro alla Scala di Milano - Producer: Rainer Brock - Conductor: Claudio Abbado - Recording Producer: Rainer Brock - Recording Producer: Renate Kupfer - Balance Engineer: Klaus Hiemann - Recording Engineer: Klaus Behrens - Recording Engineer: Joerg Iwaschuta - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Christopher Alder - Editor: Joachim Niss - Composer: Giuseppe Verdi
33
Ballet Music [Aida / Act 2]
04:23
Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Orchestra: Orchestra del Teatro alla Scala di Milano - Producer: Rainer Brock - Conductor: Claudio Abbado - Recording Producer: Rainer Brock - Recording Producer: Renate Kupfer - Balance Engineer: Klaus Hiemann - Recording Engineer: Klaus Behrens - Recording Engineer: Joerg Iwaschuta - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Christopher Alder - Editor: Joachim Niss - Composer: Giuseppe Verdi
34
Vieni, o guerriero vindice [Aida / Act 2]
02:24
Nicolai Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado, Coro del Teatro alla Scala di Milano
Bass (Vocal): Nicolai Ghiaurov - Producer: Rainer Brock - Orchestra: Orchestra del Teatro alla Scala di Milano - Recording Producer: Rainer Brock - Conductor: Claudio Abbado - Recording Producer: Renate Kupfer - Chorus: Coro del Teatro alla Scala di Milano - Balance Engineer: Klaus Hiemann - Recording Engineer: Klaus Behrens - Recording Engineer: Joerg Iwaschuta - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Christopher Alder - Editor: Joachim Niss - Chorus Master: Romano Gandolfi - Composer: Giuseppe Verdi
