1
Overture
04:02
Il Complesso Barocco, Alan Curtis
Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
2
Menuetto
02:41
Il Complesso Barocco, Alan Curtis
Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
3
Ho perduto il caro sposo
02:51
Simone Kermes, Il Complesso Barocco, Alan Curtis
Executive Producer: Marita Prohmann - Soprano: Simone Kermes - Recording Producer: Arend Prohmann - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
4
Regina? Grimoaldo
01:07
Steve Davislim, Simone Kermes, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
5
L'empio rigor del fato
04:29
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
6
Duca, vedesti mai - È tanto, da che sei re
01:29
Steve Davislim, Vito Priante, Sonia Prina, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Bass (Vocal): Vito Priante - Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
7
Io già t'amai
03:45
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
8
E tu dici d'amarmi?
00:34
Sonia Prina, Vito Priante, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
9
Lo farò; dirò: spietato
03:18
Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
10
Eduige, t'inganni
00:20
Vito Priante, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
11
Di Cupido impiego i vanni
04:14
Vito Priante, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
12
Sinfonia ed Accompagnato. Pompe vane di morte
01:58
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
13
Dove sei, amato bene?
04:52
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
14
Ma giunge Unulfo, oh Dio!
01:59
Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
15
Ombre, piante, urne funeste! [Rodelinda / Act 1]
05:40
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
16
Ombra del mio bel sol
00:52
Simone Kermes, Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
17
Baci inutili e vani
01:53
Vito Priante, Marijana Mijanovic, Marie-Nicole Lemieux, Simone Kermes, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
18
Morrai, sì; L'empia tua testa
04:30
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
19
E ben, Duca, poss'io all'ardor
00:41
Steve Davislim, Vito Priante, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
20
Se per te giungo a godere
03:36
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
21
Unulfo, oh Dio!
00:50
Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
22
Sono i colpi della sorte (alternative version)
05:04
Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
23
Si l'infida consorte
00:18
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
24
Confusa si miri l'infida consorte
04:55
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
25
Già perdesti, o Signora - Rodelinda, sì mesta ritorni
01:56
Vito Priante, Sonia Prina, Simone Kermes, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Contralto: Sonia Prina - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
26
De' miei scherni per far le vendette
04:20
Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
27
Rodelinda, è pur ver?
02:03
Steve Davislim, Simone Kermes, Marie-Nicole Lemieux, Vito Priante, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Soprano: Simone Kermes - Contralto: Marie-Nicole Lemieux - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
28
Spietati, io vi giurai
04:50
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
29
Unulfo, Garibaldo
00:58
Steve Davislim, Marie-Nicole Lemieux, Vito Priante, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Contralto: Marie-Nicole Lemieux - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
30
Prigioniera ho l'alma in pena
05:04
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
31
Massime così indegne
00:35
Marie-Nicole Lemieux, Vito Priante, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Executive Producer: Marita Prohmann - Conductor: Alan Curtis - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
32
Tirannia gli diede il regno
02:51
Vito Priante, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
33
Sì, sì, fellon, t'intendo
00:27
Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
34
Fra tempeste funeste a quest'alma
04:04
Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
35
Con rauco mormorio
06:02
Vito Priante, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
36
Ah no, che non m'inganna
02:49
Sonia Prina, Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
37
Scacciata dal suo nido
04:27
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
38
Vive il mio sposo?
00:56
Simone Kermes, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
39
Ritorna, oh caro e dolce mio tesoro
03:58
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
40
Ah, sì! ecco lo sposo!
02:49
Simone Kermes, Marijana Mijanovic, Steve Davislim, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
41
Tuo drudo è mio rivale
03:12
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
42
Non ti bastò, consorte
00:44
Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
43
Io t'abbraccio
06:49
Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
44
Dal german nel periglio
01:18
Sonia Prina, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
45
Un zeffiro spirò
05:33
Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
46
Con opra giusta
00:15
Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
47
Quanto più fiera tempesta freme
03:26
Sonia Prina, Il Complesso Barocco, Alan Curtis
Contralto: Sonia Prina - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
48
O falso è Bertarido
01:15
Vito Priante, Steve Davislim, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
49
Tra sospetti, affetti e timori
04:17
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
50
Chi di voi fu più infedele
02:52
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
51
Ma non so che dal remoto balcon - Non temere. Signor?
04:51
Marijana Mijanovic, Marie-Nicole Lemieux, Sonia Prina, Simone Kermes, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Contralto: Sonia Prina - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
52
Se'l mio duol non è sì forte
06:41
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
53
Amico, ah, che a me duole
00:56
Marijana Mijanovic, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
54
Se fiera belva ha cinto
04:33
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
55
Fatto inferno è il mio petto
03:23
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
56
Pastorello d'un povero armento
03:52
Steve Davislim, Il Complesso Barocco, Alan Curtis
Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
57
Che miro? Amica sorte - Tu morrai, traditor!
01:14
Vito Priante, Steve Davislim, Marijana Mijanovic, Simone Kermes, Il Complesso Barocco, Alan Curtis
Bass (Vocal): Vito Priante - Alto: Steve Davislim - Contralto: Marijana Mijanovic - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
58
Vivi, tiranno, io t'ho scampato
05:24
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
59
Dunque sei Bertarido? - Eccoti innanzi il reo
01:15
Marie-Nicole Lemieux, Sonia Prina, Steve Davislim, Marijana Mijanovic, Simone Kermes, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Contralto: Sonia Prina - Alto: Steve Davislim - Contralto: Marijana Mijanovic - Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
60
Mio caro, caro bene
03:54
Simone Kermes, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
61
Sposa, figlio, sorella
00:31
Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
62
D'ogni crudel martir
05:25
Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Marijana Mijanovic - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
63
Dopo la notte oscura
01:33
Simone Kermes, Sonia Prina, Marijana Mijanovic, Marie-Nicole Lemieux, Steve Davislim, Il Complesso Barocco, Alan Curtis
Soprano: Simone Kermes - Contralto: Sonia Prina - Contralto: Marijana Mijanovic - Contralto: Marie-Nicole Lemieux - Alto: Steve Davislim - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
64
Sono i colpi della sorte
04:07
Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis
Contralto: Marie-Nicole Lemieux - Orchestra: Il Complesso Barocco - Conductor: Alan Curtis - Executive Producer: Marita Prohmann - Recording Producer: Arend Prohmann - Balance Engineer: Andrew Wedman - Editor: Andrew Wedman - Editor: Arend Prohmann - Composer: George Frideric Handel
