1
"Vissi d'arte, vissi d'amore"
03:39
Mirella Freni, Samuel Ramey, Philharmonia Orchestra, Giuseppe Sinopoli
Soprano: Mirella Freni - Producer: Wolfgang Stengel - Bass (Vocal): Samuel Ramey - Recording Producer: Wolfgang Stengel - Co-Producer: Pal Christian Moe - Orchestra: Philharmonia Orchestra - Conductor: Giuseppe Sinopoli - Balance Engineer: Klaus Hiemann - Recording Engineer: Hans-Rudolf Müller - Recording Engineer: Reinhild Schmidt - Recording Engineer: Reinhard Lagemann - Recording Engineer: Klaus Behrens - Recording Engineer: Reinhild Schmidt - Recording Engineer: Wolf-Dieter Karwatky - Editor: Oliver Rogalla Von Heyden - Composer: Giacomo Puccini
2
Sempre libera [La traviata / Act 1]
03:30
Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Soprano: Cheryl Studer - Tenor: Luciano Pavarotti - Orchestra: Metropolitan Opera Orchestra - Conductor: James Levine - Producer: Pal Christian Moe - Producer: Wolfgang Stengel - Composer: Giuseppe Verdi
3
"Porgi amor" [Le nozze di Figaro, K.492 / Act 2]
04:18
Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine
Soprano: Kiri Te Kanawa - Orchestra: Metropolitan Opera Orchestra - Conductor: James Levine - Executive Producer: Cord Garben - Co-Producer: Claudia Hamann - Balance Engineer: Wolfgang Mitlehner - Recording Engineer: Jobst Eberhardt - Recording Engineer: Wolf-Dieter Karwatky - Editor: Oliver Rogalla Von Heyden - Composer: Wolfgang Amadeus Mozart
4
"Les oiseaux dans la charmille" [Les Contes d'Hoffmann / Act 2]
05:29
Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National de France, Seiji Ozawa
Soprano: Edita Gruberova - Choir: Choeurs de Radio France - Chorus Master: Jacques Jouineau - Orchestra: Orchestre National de France - Conductor: Seiji Ozawa - Executive Producer: Cord Garben - Recording Producer: James Mallison - Production Coordinator: Claudia Hamann - Balance Engineer: Michel Lepage - Recording Engineer: Olivier Beurotte - Recording Engineer: Hans-Peter Schweigmann - Editor: Jürgen Bulgrin - Composer: Jacques Offenbach
5
"Batti, batti, o bel Masetto" [Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1]
03:59
Kathleen Battle, Berliner Philharmoniker, Herbert von Karajan
Soprano: Kathleen Battle - Orchestra: Berliner Philharmoniker - Conductor: Herbert von Karajan - Producer: Guenther Breest - Recording Producer: Michel Glotz - Recording Producer: Werner Mayer - Balance Engineer: Günter Hermanns - Recording Engineer: Rainer Höpfner - Recording Engineer: Volker Martin - Recording Engineer: Gregor Zielinsky - Editor: Reinhild Schmidt - Composer: Wolfgang Amadeus Mozart
6
Du bist der Lenz
02:02
Jessye Norman, Metropolitan Opera Orchestra, James Levine
Executive Producer: Cord Garben - Soprano: Jessye Norman - Recording Producer: Cord Garben - Orchestra: Metropolitan Opera Orchestra - Co-Producer: Claudia Hamann - Conductor: James Levine - Balance Engineer: Wolfgang Mitlehner - Recording Engineer: Jobst Eberhardt - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Jürgen Bulgrin - Editor: Andrew Wedman - Composer/Author: Richard Wagner
7
Ritorna vincitor [Aida / Act 1]
05:29
Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Soprano: Katia Ricciarelli - Producer: Rainer Brock - Orchestra: Orchestra del Teatro alla Scala di Milano - Recording Producer: Rainer Brock - Conductor: Claudio Abbado - Recording Producer: Renate Kupfer - Balance Engineer: Klaus Hiemann - Recording Engineer: Klaus Behrens - Recording Engineer: Joerg Iwaschuta - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Christopher Alder - Editor: Joachim Niss - Composer: Giuseppe Verdi
8
"Venite... inginocchiatevi..."
02:55
Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
Soprano: Dawn Upshaw - Orchestra: Metropolitan Opera Orchestra - Conductor: James Levine - Executive Producer: Cord Garben - Co-Producer: Claudia Hamann - Balance Engineer: Wolfgang Mitlehner - Recording Engineer: Jobst Eberhardt - Recording Engineer: Wolf-Dieter Karwatky - Editor: Oliver Rogalla Von Heyden - Composer: Wolfgang Amadeus Mozart
9
"In uomini, in soldati" [Così fan tutte ossia La scuola degli amanti, K.588 / Act 1]
02:25
Marie McLaughlin, Wiener Philharmoniker, James Levine
Soprano: Marie McLaughlin - Orchestra: Wiener Philharmoniker - Conductor: James Levine - Composer: Wolfgang Amadeus Mozart
10
Der Hölle Rache kocht in meinem Herzen (Königin der Nacht)
02:56
Karin Ott, Berliner Philharmoniker, Herbert von Karajan
Executive Producer: Guenther Breest - Soprano: Karin Ott - Orchestra: Berliner Philharmoniker - Recording Producer: Michel Glotz - Balance Engineer: Günter Hermanns - Conductor: Herbert von Karajan - Recording Engineer: Jobst Eberhardt - Recording Engineer: Volker Martin - Editor: Reinhild Schmidt - Composer: Wolfgang Amadeus Mozart
11
Ach, ich fühl's, es ist verschwunden (Pamina)
04:53
Edith Mathis, Berliner Philharmoniker, Herbert von Karajan
Soprano: Edith Mathis - Orchestra: Berliner Philharmoniker - Conductor: Herbert von Karajan - Producer: Guenther Breest - Recording Producer: Michel Glotz - Balance Engineer: Günter Hermanns - Recording Engineer: Jobst Eberhardt - Recording Engineer: Volker Martin - Editor: Reinhild Schmidt - Composer: Wolfgang Amadeus Mozart
12
"Signore, ascolta!" [Turandot / Act 1]
02:49
Barbara Hendricks, Wiener Philharmoniker, Herbert von Karajan
Soprano: Barbara Hendricks - Orchestra: Wiener Philharmoniker - Conductor: Herbert von Karajan - Recording Producer: Guenther Breest - Recording Supervisor: Michel Glotz - Balance Engineer: Günter Hermanns - Recording Engineer: Jobst Eberhardt - Recording Engineer: Jost Michael Haase - Recording Engineer: Volker Martin - Editor: Reinhild Schmidt - Composer: Giacomo Puccini
13
Vedrai, piccolo amor, mia pena e mio conforto (Butterfly, Suzuki)
03:35
Mirella Freni, Teresa Berganza, Philharmonia Orchestra, Giuseppe Sinopoli
Executive Producer: Guenther Breest - Soprano: Mirella Freni - Mezzo-Soprano: Teresa Berganza - Recording Producer: Wolfgang Stengel - Balance Engineer: Klaus Hiemann - Orchestra: Philharmonia Orchestra - Conductor: Giuseppe Sinopoli - Recording Engineer: Rainer Hoepfner - Recording Engineer: Volker Martin - Recording Engineer: Hans-Rudolf Müller - Editor: Wolf-Dieter Karwatky - Editor: Reinhild Schmidt - Editor: Andrew Wedman - Composer: Giacomo Puccini
14
"In quelle trine morbide"
02:20
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Soprano: Mirella Freni - Orchestra: Philharmonia Orchestra - Conductor: Giuseppe Sinopoli - Executive Producer: Guenther Breest - Recording Producer: Wolfgang Stengel - Production Coordinator: Claudia Hamann - Balance Engineer: Klaus Hiemann - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Joachim Niss - Editor: Reinhild Schmidt - Editor: Jobst Eberhardt - Editor: Joachim Niss - Composer: Giacomo Puccini
15
"Sola perduta, abbandonata"
05:28
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Soprano: Mirella Freni - Orchestra: Philharmonia Orchestra - Conductor: Giuseppe Sinopoli - Executive Producer: Guenther Breest - Recording Producer: Wolfgang Stengel - Production Coordinator: Claudia Hamann - Balance Engineer: Klaus Hiemann - Recording Engineer: Wolf-Dieter Karwatky - Recording Engineer: Joachim Niss - Editor: Reinhild Schmidt - Editor: Jobst Eberhardt - Editor: Joachim Niss - Composer: Giacomo Puccini
16
Tu che di gel sei imponenti [Turandot / Act 3]
02:48
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Soprano: Mirella Freni - Executive Producer: Wolfgang Stengel - Co-Producer: Claudia Hamann - Orchestra: Philharmonia Orchestra - Conductor: Giuseppe Sinopoli - Recording Producer: Wolfgang Stengel - Balance Engineer: Klaus Hiemann - Recording Engineer: Klaus Behrens - Recording Engineer: Volker Martin - Recording Engineer: Hans-Rudolf Müller - Editor: Reinhard Karwatky - Composer: Giacomo Puccini
17
"Or sai chi l'onore" [Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1]
03:01
Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan
Soprano: Anna Tomowa-Sintow - Orchestra: Berliner Philharmoniker - Conductor: Herbert von Karajan - Producer: Guenther Breest - Recording Producer: Michel Glotz - Recording Producer: Werner Mayer - Balance Engineer: Günter Hermanns - Recording Engineer: Rainer Höpfner - Recording Engineer: Volker Martin - Recording Engineer: Gregor Zielinsky - Editor: Reinhild Schmidt - Composer: Wolfgang Amadeus Mozart
18
Heut oder morgen oder den übernächsten Tag
05:04
Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan
Soprano: Anna Tomowa-Sintow - Soprano: Janet Perry - Mezzo-Soprano: Agnes Baltsa - Orchestra: Wiener Philharmoniker - Conductor: Herbert von Karajan - Producer: Guenther Breest - Producer: Renate Kupfer - Recording Producer: Werner Mayer - Recording Producer: Michel Glotz - Balance Engineer: Günter Hermanns - Recording Engineer: Jobst Eberhardt - Recording Engineer: Rainer Hoepfner - Recording Engineer: Joerg Iwaschuta - Recording Engineer: Volker Martin - Editor: Reinhild Schmidt - Composer: Richard Strauss
19
Fliegt heim, ihr Raben! (Immolation Scene) [Götterdämmerung / Dritter Aufzug]
07:54
Hildegard Behrens, Matti Salminen, Metropolitan Opera Orchestra, James Levine
Executive Producer: Cord Garben - Soprano: Hildegard Behrens - Recording Producer: Cord Garben - Bass (Vocal): Matti Salminen - Production Coordinator: Claudia Hamann - Orchestra: Metropolitan Opera Orchestra - Conductor: James Levine - Balance Engineer: Wolfgang Mitlehner - Recording Engineer: Jobst Eberhardt - Recording Engineer: Wolf-Dieter Karwatky - Editor: Jürgen Bulgrin - Editor: Oliver Rogalla Von Heyden - Composer/Author: Richard Wagner
