Offenbach: Les Contes d'Hoffmann

Staatskapelle Dresden     Rundfunkchor Leipzig     Samuel Ramey     Francisco Araiza     Anne Sofie von Otter     Jessye Norman     Jeffrey Tate    

Offenbach: Les Contes d'Hoffmann
DIGITAL
eAlbum Audio - 3 supporti
17.05.2016
Philips Classics
UPC 00028942237421


compositori:
Jacques Offenbach

Offenbach: Les Contes d'Hoffmann

Supporto 1
1 Prélude - "Glou, glou, glou! Je suis la bière"
03:06 Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
2 "La vérité, dit-on, sortait d'une puits"
04:14 Anne Sofie von Otter, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
3 "Allons! mes enfants"
02:56 Samuel Ramey, Rolf Tomaszewski, Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Bass (Vocal): Rolf Tomaszewski - Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
4 "Voyons: 'Pour Hoffmann'!" - "Dans les rôles d'amoureux langoureux"
04:11 Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
5 "Deux heures devant moi!"
04:06 Jürgen Hartfiel, Samuel Ramey, Rolf Tomaszewski, Peter Menzel, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Jürgen Hartfiel - Bass (Vocal): Samuel Ramey - Bass (Vocal): Rolf Tomaszewski - Tenor: Peter Menzel - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
6 "Vive Dieu! mes amis, la belle créature!"
01:27 Jürgen Hartfiel, Rolf Tomaszewski, Samuel Ramey, Peter Menzel, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Jürgen Hartfiel - Bass (Vocal): Rolf Tomaszewski - Bass (Vocal): Samuel Ramey - Tenor: Peter Menzel - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
7 "Bonjour, amis"
03:18 Anne Sofie von Otter, Jürgen Hartfiel, Francisco Araiza, Peter Menzel, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Bass (Vocal): Jürgen Hartfiel - Tenor: Francisco Araiza - Tenor: Peter Menzel - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
8 "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)
05:34 Francisco Araiza, Peter Menzel, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Tenor: Peter Menzel - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
9 "Peuh! cette bière est détestable!"
02:15 Anne Sofie von Otter, Francisco Araiza, Peter Menzel, Samuel Ramey, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Tenor: Peter Menzel - Bass (Vocal): Samuel Ramey - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
10 "Et par où votre diablerie"
03:20 Anne Sofie von Otter, Francisco Araiza, Samuel Ramey, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Bass (Vocal): Samuel Ramey - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
11 "Je vous dis, moi, qu'un malheur me menace!"
05:40 Jürgen Hartfiel, Anne Sofie von Otter, Francisco Araiza, Samuel Ramey, Peter Menzel, Rolf Tomaszewski, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Jürgen Hartfiel - Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Bass (Vocal): Samuel Ramey - Tenor: Peter Menzel - Bass (Vocal): Rolf Tomaszewski - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
12 Entr'acte
01:20 Staatskapelle Dresden, Jeffrey Tate
Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
13 "Là, charmante!"
01:38 Riccardo Cassinelli, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Tenor: Riccardo Cassinelli - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
14 "Allons! courage et confiance!"
02:24 Anne Sofie von Otter, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
15 "Une poupée aux yeux d'émail"
01:30 Anne Sofie von Otter, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
16 "C'est moi, Coppélius"
01:04 Anne Sofie von Otter, Samuel Ramey, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Bass (Vocal): Samuel Ramey - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
17 "Je me nomme Coppélius"
02:13 Francisco Araiza, Anne Sofie von Otter, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Contralto: Anne Sofie von Otter - Bass (Vocal): Samuel Ramey - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
18 "Serviteur!"
02:46 Anne Sofie von Otter, Francisco Araiza, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Bass (Vocal): Samuel Ramey - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
19 "Tout est prêt!"
01:52 Riccardo Cassinelli, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate
Tenor: Riccardo Cassinelli - Bass (Vocal): Samuel Ramey - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
20 "Non, aucun hôte vraiment"
05:26 Anne Sofie von Otter, Riccardo Cassinelli, Francisco Araiza, Georges Gautier, Eva Lind, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Riccardo Cassinelli - Tenor: Francisco Araiza - Tenor: Georges Gautier - Soprano: Eva Lind - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
21 "Les oiseaux dans la charmille"
05:38 Eva Lind, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Soprano: Eva Lind - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
22 "Ah! mon ami, quel accent!"
02:14 Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Eva Lind, Georges Gautier, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Tenor: Riccardo Cassinelli - Soprano: Eva Lind - Tenor: Georges Gautier - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
Supporto 2
1 "Ils se sont éloignés, enfin!"
04:06 Francisco Araiza, Eva Lind, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Soprano: Eva Lind - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
2 "Tu me fuis?"
03:40 Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Tenor: Riccardo Cassinelli - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
3 "Voici les valseurs!"
04:20 Anne Sofie von Otter, Riccardo Cassinelli, Georges Gautier, Francisco Araiza, Eva Lind, Samuel Ramey, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Riccardo Cassinelli - Tenor: Georges Gautier - Tenor: Francisco Araiza - Soprano: Eva Lind - Bass (Vocal): Samuel Ramey - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
4 Entr'acte - "Elle a fui la tourterelle"
05:02 Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
5 "Malheureuse enfant"
01:19 Boris Martinovitch, Jessye Norman, Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Boris Martinovitch - Soprano: Jessye Norman - Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
6 "Jour et nuit"
03:47 Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
7 "Voilà ce brave Frantz"
01:16 Anne Sofie von Otter, Francisco Araiza, Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
8 "Vois sous l'archet frémissant"
04:01 Anne Sofie von Otter, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
9 "Ah! tu doutes de tout!"
04:15 Anne Sofie von Otter, Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
10 "Pourtant, ô ma fiancée"
02:10 Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
11 "C'est une chanson d'amour"
02:46 Jessye Norman, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Soprano: Jessye Norman - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
12 "Qu'as-tu donc?... Tu souffres?"
01:31 Francisco Araiza, Jessye Norman, Boris Martinovitch, Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Soprano: Jessye Norman - Bass (Vocal): Boris Martinovitch - Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
13 "Pour conjurer le danger"
08:15 Samuel Ramey, Francisco Araiza, Boris Martinovitch, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Tenor: Francisco Araiza - Bass (Vocal): Boris Martinovitch - Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
14 "Ne plus chanter!"
01:12 Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
15 "Tu ne chanteras plus?"
04:57 Samuel Ramey, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
16 "Ta mère? Oses-tu l'invoquer?"
05:13 Samuel Ramey, Felicity Palmer, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Soprano: Felicity Palmer - Soprano: Jessye Norman - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
17 "Mon enfant! Ma fille!"
03:04 Anne Sofie von Otter, Boris Martinovitch, Jessye Norman, Francisco Araiza, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Bass (Vocal): Boris Martinovitch - Soprano: Jessye Norman - Tenor: Francisco Araiza - Bass (Vocal): Samuel Ramey - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
Supporto 3
1 Entr'acte (Barcarolle)
03:53 Staatskapelle Dresden, Jeffrey Tate
Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
2 "Messieurs, silence!"
00:57 Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
3 "Belle nuit, ô nuit d'amour"
02:14 Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Soprano: Cheryl Studer - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
4 "Et moi, ce n'est pas là qui m'enchante"
03:28 Francisco Araiza, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
5 "A merveille Madame!"
02:12 Anne Sofie von Otter, Jean-Luc Chaignaud, Cheryl Studer, Samuel Ramey, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Bass (Vocal): Jean-Luc Chaignaud - Soprano: Cheryl Studer - Recording Engineer: Hein Dekker - Bass (Vocal): Samuel Ramey - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Tenor: Francisco Araiza - Recording Engineer: Roger de Schot - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Composer: Jacques Offenbach
6 "Tourne, tourne, miroir"
01:22 Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
7 "Charmante!"
02:42 Samuel Ramey, Cheryl Studer, Jean-Luc Chaignaud, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Samuel Ramey - Soprano: Cheryl Studer - Bass (Vocal): Jean-Luc Chaignaud - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
8 "Giulietta, palsembleu!"
01:31 Francisco Araiza, Jean-Luc Chaignaud, Samuel Ramey, Georges Gautier, Cheryl Studer, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Bass (Vocal): Jean-Luc Chaignaud - Bass (Vocal): Samuel Ramey - Tenor: Georges Gautier - Soprano: Cheryl Studer - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
9 "L'amour lui dit: la belle"
02:33 Cheryl Studer, Francisco Araiza, Jean-Luc Chaignaud, Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Soprano: Cheryl Studer - Tenor: Francisco Araiza - Bass (Vocal): Jean-Luc Chaignaud - Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
10 "Tiens, mes cartes!"
02:41 Anne Sofie von Otter, Francisco Araiza, Jean-Luc Chaignaud, Georges Gautier, Samuel Ramey, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Bass (Vocal): Jean-Luc Chaignaud - Tenor: Georges Gautier - Bass (Vocal): Samuel Ramey - Soprano: Cheryl Studer - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
11 "Morbleu!"
00:26 Jean-Luc Chaignaud, Samuel Ramey, Georges Gautier, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Jean-Luc Chaignaud - Bass (Vocal): Samuel Ramey - Tenor: Georges Gautier - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
12 "Il a ma clé"
02:26 Anne Sofie von Otter, Cheryl Studer, Francisco Araiza, Jean-Luc Chaignaud, Samuel Ramey, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Soprano: Cheryl Studer - Tenor: Francisco Araiza - Bass (Vocal): Jean-Luc Chaignaud - Bass (Vocal): Samuel Ramey - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
13 "Ton ami dit vrai"
01:14 Cheryl Studer, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Soprano: Cheryl Studer - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
14 "O Dieu, de quelle ivresse"
02:27 Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
15 "Jusque là, cependant"
03:33 Cheryl Studer, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Soprano: Cheryl Studer - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
16 "Le voilà, donc"
03:38 Cheryl Studer, Samuel Ramey, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate
Soprano: Cheryl Studer - Bass (Vocal): Samuel Ramey - Tenor: Francisco Araiza - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
17 "Folie!"
01:45 Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
18 "Voilà, mes amis"
02:57 Jürgen Hartfiel, Anne Sofie von Otter, Francisco Araiza, Peter Menzel, Georges Gautier, Samuel Ramey, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Bass (Vocal): Jürgen Hartfiel - Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Tenor: Peter Menzel - Tenor: Georges Gautier - Bass (Vocal): Samuel Ramey - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
19 "Pour le coeur de Phryné"
00:41 Francisco Araiza, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Tenor: Francisco Araiza - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
20 "Arière, tous"
02:54 Anne Sofie von Otter, Francisco Araiza, Rundfunkchor Leipzig, Staatskapelle Dresden, Jeffrey Tate
Contralto: Anne Sofie von Otter - Tenor: Francisco Araiza - Choir: Rundfunkchor Leipzig - Orchestra: Staatskapelle Dresden - Conductor: Jeffrey Tate - Recording Producer: Erik Smith - Balance Engineer: Hans Lauterslager - Recording Engineer: Hein Dekker - Recording Engineer: Willem van Leeuwen - Recording Engineer: Erdo Groot - Recording Engineer: Roger de Schot - Composer: Jacques Offenbach
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