1
Recitative: Look down, look down [Look down harmonious Saint HWV124]
01:20
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
2
Aria: Sweet accents all your numbers grace [Look down harmonious Saint HWV124]
09:59
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
3
Meine Seele hört im Sehen
04:10
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
4
Süsse Stille, sanfter Quelle
03:52
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
5
Recitative: The faithless Theseus...
01:15
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
6
Aria: Ah Theseus, Theseus stay
02:10
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
7
Recit: The jolly God who rules
00:41
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
8
Aria: Cease lovely Nymph to weep
02:04
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
9
Recitative: With soft reluctance
01:30
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
10
Aria: Learn hence ye fond maidens
02:53
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
11
Recit: Fair Caelia love pretented
00:44
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
12
Aria: To all the sex deceitfull
01:45
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
13
Recit: But Caelia now repenting
00:42
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
14
Aria: How engaging, how endearing
02:12
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: Thomas Arne - Balance Engineer: Stanley Goodall
15
Momus to Mars
02:46
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: William Boyce - Balance Engineer: Stanley Goodall
16
The Lass of Richmond Hill
02:36
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: James Hook - Producer: Michael Bremner - Balance Engineer: Stanley Goodall - Engineer: Peter van Biene
17
Where shall I seek the charming fair?
03:39
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
18
Lo! here my love!
00:27
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
19
Love in her eyes sits playing
05:55
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
20
Happy we !
04:15
Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Soprano: Jill Gomez - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
21
His hideous love provokes my rage
00:26
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
22
Love sounds th'alarm
05:08
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
23
The flocks shall leave the mountains
02:51
Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Soprano: Jill Gomez - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
24
Help, Galatea! help, ye parent Gods!
01:15
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Chris Hazell - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Composer: George Frideric Handel - Balance Engineer: Stanley Goodall
25
Bright Star
03:11
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
26
When Comes My Gwen
02:30
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
27
O Mistress Mine
01:27
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
28
Blow, Blow, Thou Winter Wind
01:58
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
29
A Welsh Lullaby
02:58
Robert Tear, Philip Ledger
Recording Producer: Chris Hazell - Tenor: Robert Tear - Recording Engineer: Michael Mailes - Piano: Philip Ledger - Recording Engineer: Simon Eadon - Composer: Hubert Parry
30
When Lovers Meet Again
01:49
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
31
On A Time The Amorous Silvy
01:42
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
32
When We Two Parted
03:42
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
33
Love is a bable, Op.152, No.3
01:35
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
34
Weep You No More
02:02
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
35
When Icicles Hang By The Wall
01:55
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
36
Looking Backward
03:43
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
37
Take, O Take Those Lips Away
01:26
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
38
There By None Of Beauty's Daughters
01:53
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
39
And Yet I Love Her Till I Die
02:52
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
40
From A City Window
03:17
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
41
Thine Eyes Still Shine For Me
02:13
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
42
Marian
01:42
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
43
No Longer Mourn for Me
03:16
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
44
There
03:05
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Recording Engineer: Michael Mailes - Recording Engineer: Simon Eadon - Composer: Hubert Parry
45
1. The Vagabond [Songs of Travel]
03:18
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
46
2. Let beauty awake
02:02
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
47
3. The roadside fire
02:35
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
48
4. Youth and love
03:56
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
49
5. In dreams
02:35
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
50
6. The infinite shining heavens
02:45
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
51
7. Whither must I wander?
04:38
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
52
8. Bright is the ring of words
02:10
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
53
9. I have trod the upward and the downward slope
02:15
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
54
Linden Lea
02:52
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
55
The Water Mill
03:23
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
56
1. Infant Joy
01:20
Robert Tear, Neil Black
Recording Producer: Michael Bremner - Tenor: Robert Tear - Oboe: Neil Black - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
57
2. A Poison Tree
02:11
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
58
3. The Piper
01:43
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
59
4. London
02:12
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
60
5. The Lamb
02:26
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
61
6. The Shepherd
01:01
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
62
7. Ah! Sun Flower
01:26
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
63
8. Cruelty has a Human Heart
02:00
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
64
9. The Divine Image
02:38
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
65
10. Eternity
01:52
Robert Tear, Neil Black
Tenor: Robert Tear - Oboe: Neil Black - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
66
Orpheus with his lute
02:41
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Ralph Vaughan Williams
67
3. Big Lady Moon
02:26
Robert Tear, Sir Philip Ledger
Recording Producer: Chris Hazell - Tenor: Robert Tear - Piano: Philip Ledger - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson
68
Angels Guard Thee
04:25
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Composer: Benjamin Godard - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson
69
Christopher Robin is Saying His Prayers
02:33
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Harold Fraser-Simson - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
70
Homing
02:14
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Teresa del Riego - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
71
I Dream of Jeannie
02:33
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer/Author: Stephen Collins Foster - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
72
I hear you calling me - original version
02:53
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Charles Marshall - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
73
If I can help somebody
03:01
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Alma Bazel Androzzo - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
74
Ora Pro Nobis
05:23
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Marie Piccolomini - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
75
Passing by
01:59
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Edward Purcell Cockram - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
76
Serenade Op.6 - English version
02:07
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Enrico Toselli - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
77
Silent noon
03:32
Robert Tear, Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Ralph Vaughan Williams - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
78
The Cherry Hung with Snow
03:24
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: C. Ross - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
79
The Cuckoo
01:35
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Elizabeth Nina (Liza) Lehmann - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
80
The First Mercy
02:48
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Peter Warlock - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
81
The Little Road To Bethlehem
02:46
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Michael Head - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
82
Vale
02:39
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Russell Kennedy - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
83
When Song is Sweet
01:55
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Composer: Gertrude Sans-Souci - Balance Engineer: Simon Eadon - Engineer: Martin Atkinson - Recording Producer: Chris Hazell
84
I Will Give My Love An Apple
01:44
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer/Author: Traditional
85
The Sailor-Boy
01:37
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer/Author: Traditional
86
Master Kilby
02:05
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer/Author: Traditional
87
The Soldier and The Sailor
02:21
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer/Author: Traditional
88
The Shooting Of His Dear
02:46
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer/Author: Traditional
89
1. Fain would I change that note
03:04
Robert Tear, Timothy Walker
Recording Producer: Chris Hazell - Tenor: Robert Tear - Recording Engineer: Stanley Goodall - Guitar: Timothy Walker - Recording Engineer: Simon Eadon
90
2. O stay, sweet love
01:26
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
91
3. Lady, when I beheld the roses
01:40
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
92
4. My love in her attire
00:47
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
93
5. I gave her cakes and I gave her ale
01:25
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
94
6. To couple is a custom
01:28
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
95
Hélas! je suis désolée
03:34
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer: Matyas Seiber
96
Je suis trop jeunette
01:25
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer: Matyas Seiber
97
L'amour de moi
04:17
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer: Matyas Seiber
98
Ne l'oserais-je dire
02:12
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon - Composer: Matyas Seiber
99
1. Réveillez-vous
02:36
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
100
2. J'ai descendu
02:31
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
101
3. Le rossignol
03:03
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
102
4. Marguerite, elle est malade
01:04
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Chris Hazell - Recording Engineer: Stanley Goodall - Recording Engineer: Simon Eadon
103
1. The Boatmen's Dance
02:31
Robert Tear, Sir Philip Ledger
Recording Producer: Chris Hazell - Tenor: Robert Tear - Piano: Philip Ledger - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
104
2. The Dodger
01:54
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
105
3. Long time ago
02:30
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
106
4. Simple Gifts
01:29
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
107
5. I bought me a cat
02:04
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
108
1. The little Horses
02:27
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
109
2. Zion's Walls
01:54
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
110
3. The Golden Willow Tree
03:16
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
111
4. At the River
02:30
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
112
5. Ching-a-ring chaw
01:36
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer/Author: Traditional
113
1. Nature, the gentlest mother
03:47
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
114
2. There came a wind like a bugle
01:12
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
115
3. Why do they shut me out of Heaven?
01:58
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
116
4. The world feels dusty
01:25
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
117
5. Heart, we will forget him
01:56
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
118
6. Dear March, come in!
01:54
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
119
7. Sleep is supposed to be
02:40
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
120
8. When they come back
02:12
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
121
9. I felt a funeral in my brain
01:56
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
122
10. I've heard an organ talk sometimes
01:58
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
123
11. Going to Heaven!
02:29
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
124
12. The Chariot
03:27
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Chris Hazell - Engineer: Stanley Goodall - Engineer: Simon Eadon - Composer: Aaron Copland
125
1. In der Fremde
01:41
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
126
2. Intermezzo
01:50
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
127
3. Waldesgespräch
02:23
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
128
4. Die Stille
01:18
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
129
5. Mondnacht
04:08
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
130
6. Schöne Fremde
01:43
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
131
7. Auf einer Burg
02:46
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
132
8. In der Fremde ("Ich hör die Bachlein rauschen")
01:28
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
133
9. Wehmut
02:39
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
134
10. Zwielicht
02:48
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
135
11. Im Walde
01:23
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
136
12, Frühlingsnacht
01:21
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
137
1. Morgens steh' ich auf und frage
01:18
Robert Tear, Sir Philip Ledger
Recording Producer: Michael Bremner - Tenor: Robert Tear - Piano: Philip Ledger - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
138
2. Es treibt mich hin, es treibt mich her
01:07
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
139
3. Ich wandelte unter den Bäumen
03:13
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
140
4. Lieb' Liebchen, leg's Händchen auf Herze mein
00:51
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
141
5. Schöne Wiege meiner Leiden
04:32
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
142
6. Warte, warte, wilder Schiffsmann
01:45
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
143
7. Berg' und Burgen schaun herunter
04:01
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
144
8. Anfangs wollt' ich fast verzagen
01:16
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
145
9. Mit Myrten und Rosen, lieblich und hold
03:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Robert Schumann
146
2. Auf den Flügeln des Gesanges, MWV K86
03:03
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Felix Mendelssohn
147
2. Das erste Veilchen
02:44
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
148
2. Frühlingslied, MWV K119
03:34
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Felix Mendelssohn
149
5. Gruss
01:55
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
150
2. Hirtenlied, MWV K103
03:16
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Felix Mendelssohn
151
4. Neue Liebe
01:54
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
152
5. Venetianisches Gondellied, MWV K114
02:10
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Felix Mendelssohn
153
Pagenlied, Op.Posth.
02:08
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Felix Mendelssohn
154
4. Volkslied
03:25
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
155
4. Bettlelied, J.137
01:02
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
156
1. Die Schäferstunde, J.91
01:53
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
157
2. Wiegenlied, J.96
02:23
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
158
4. An den Mond, J.72
01:17
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
159
5. Die Zeit, J.97
02:11
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
160
2. Über die Berge mit Ungestüm, J.110
01:39
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
161
3. Lass mich schlummern, Herzlein, schweige, J.112
01:15
Robert Tear, Timothy Walker
Recording Producer: Michael Bremner - Tenor: Robert Tear - Recording Engineer: Stanley Goodall - Guitar: Timothy Walker
162
1. Die fromme Magd, J.232
01:52
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
163
3. Heimlicher Liebe Pein, J.235
02:21
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
164
5. Abendsegen, J.255
03:18
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
165
1. A dove siete, J.108
01:44
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
166
2. Ninfe se liete, J.124
01:43
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
167
3. Ch'io mai vi possa
01:34
Robert Tear, Timothy Walker
Tenor: Robert Tear - Guitar: Timothy Walker - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
168
Nachthelle, D.892
05:35
Robert Tear, The Elizabethan Singers, Louis Halsey, Viola Tunnard
Producer: Michael Bremner - Tenor: Robert Tear - Choir: The Elizabethan Singers - Conductor: Louis Halsey - Piano: Viola Tunnard - Composer: Franz Schubert
169
Auf dem Strom, D.943
09:02
Robert Tear, The Melos Ensemble Of London, Neill Sanders, Lamar Crowson
Tenor: Robert Tear - Ensemble: The Melos Ensemble Of London - Horn: Neill Sanders - Piano: Lamar Crowson - Violin: Emanuel Hurwitz - French Horn: Neill Sanders - Recording Producer: James Mallinson - Recording Engineer: Alec Rosner - Composer: Franz Schubert
170
Angiolin Dal Biondo Crin, S.269
04:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
171
Kling leise, mein Lied S.301
04:09
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
172
Es muss ein Wunderbares sein, S.314
01:49
Robert Tear, Sir Philip Ledger
Recording Producer: Michael Bremner - Tenor: Robert Tear - Piano: Philip Ledger - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
173
Die Vätergruft, S.281
06:04
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
174
Schwebe, Schwebe, Blaues Auge, S.305
03:09
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
175
Wie Singt Die Lerche Schön, S.312
01:36
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
176
Es Rauschen Die Winde, S.294
03:17
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
177
In Liebeslust, S.318
02:04
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Franz Liszt
178
No.9: Melodia, B.165
02:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
179
No.15: Narzeczony, B.63/2
02:14
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
180
No.17: Śpiew z mogiły, B.101
05:39
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
181
No.12: Moja pieszczotka, B.112
01:45
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
182
No.2: Wiosna, B.116
02:34
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
183
No.13: Nie ma czego trzeba, B.156/2
05:50
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
184
No.4: Hulanka, B.50
02:01
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
185
Moy geni, moy angel, moy drug, TH 89
01:53
Robert Tear, Sir Philip Ledger
Recording Producer: Michael Bremner - Tenor: Robert Tear - Piano: Philip Ledger - Recording Engineer: Stanley Goodall - Composer: Peter Ilyich Tchaikovsky
186
1. Primiryenye
04:18
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
187
6. Nyet, tolko tot, kto znal
02:44
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
188
1. Nye vyer, moy drug
03:29
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
189
6. Moya balovnitsa
01:47
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
190
5. Ni otziva, ni slova, ni privyeta
02:26
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
191
2. Pogodi!
03:45
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
192
3. Sred shumnovo bala
03:01
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
193
6. Kak naladili "Durak"
01:25
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
194
11. Podvig
03:38
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
195
10. Za oknom v tyeni myelkayet
01:26
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
196
1. Kolibyelnaya
04:32
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
197
2. Razocharovaniye
03:09
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
198
2. Kak nad goryachyeyio zoloi
01:33
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
199
Zabyt tak skoro, TH 94
02:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Peter Ilyich Tchaikovsky
200
5. Tak shto zhe?
02:50
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
201
6. Snova, kak pryezhde, odin
01:47
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
202
3. Nye otkhodi ot menya
03:06
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
203
1. Serenada Don-Zhuana
02:41
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
204
12. Noch pechalna
02:32
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
205
4. Oni otvechali
01:35
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
206
4. Krysolov
02:14
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
207
2. Ostrovok
02:21
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
208
11. Ya ne prorok
01:33
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
209
4. Ne poy, krasavitsa
04:19
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
210
10. Sey den ya pomnyu
01:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
211
8. Poshchady ya molyu!
01:21
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
212
5. Pokinem, milaya
02:23
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
213
11. Fontan
01:30
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
214
6. Au!
02:36
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
215
1. Muza
04:44
Robert Tear, Sir Philip Ledger
Recording Producer: Michael Bremner - Tenor: Robert Tear - Piano: Philip Ledger - Recording Engineer: Stanley Goodall
216
9. Ya opyat odinok!
01:52
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
217
7. K detyam
03:43
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
218
7. Ne ver mne, drug!
01:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
219
2. Nad svezhey mogiloy
01:52
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
220
2. K ney
02:56
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
221
1. One day I met a gypsy girl
01:10
Robert Tear, Sir Philip Ledger
Recording Producer: Michael Bremner - Tenor: Robert Tear - Piano: Philip Ledger - Recording Engineer: Stanley Goodall
222
2. That black-eyed Gypsy has haunted me all the day
01:12
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
223
3. Through the twilight glow-worms dance
01:57
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
224
4. Already swallows are twittering overhead
00:53
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
225
5. Ploughing is weary work
00:42
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
226
6. Hey, there my tawny oxen
01:33
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
227
7. Why has my plough broken?
00:54
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
228
8. Don't look, my oxen, so sad at my change of heart
01:17
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
229
9. Welcome my handsome one
02:48
Robert Tear, Elizabeth Bainbridge, Elizabeth Gale, Rosanne Creffield, Marjorie Biggar, Sir Philip Ledger
Tenor: Robert Tear - Mezzo-Soprano: Elizabeth Bainbridge - Soprano: Elizabeth Gale - Mezzo-Soprano: Rosanne Creffield - Contralto: Marjorie Biggar - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
230
10. God all-powerful, God eternal
04:16
Elizabeth Bainbridge, Elizabeth Gale, Rosanne Creffield, Marjorie Biggar, Sir Philip Ledger
Mezzo-Soprano: Elizabeth Bainbridge - Soprano: Elizabeth Gale - Mezzo-Soprano: Rosanne Creffield - Contralto: Marjorie Biggar - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
231
11. From the rip'ning cornfield
03:19
Robert Tear, Elizabeth Bainbridge, Sir Philip Ledger
Tenor: Robert Tear - Mezzo-Soprano: Elizabeth Bainbridge - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
232
12. Forest's shady height
00:55
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
233
13. Piano solo
02:57
Sir Philip Ledger
Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall - Composer: Leos Janácek
234
14. Sunlight on the meadow. Dawn has come then
01:09
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
235
15. Now my tawny oxen, why do you stare at me?
00:45
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
236
16. What has come over me? What is it I have done?
01:13
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
237
17. Who can escape his fate, for what must be, must be
01:18
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
238
18. Nothing matters now until ev'ning shadows fall
01:21
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
239
19. See that theiving magpie suddenly fly away!
01:34
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
240
20. Now she bears my child
00:47
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
241
21. Father, how wrong you were not to respect my pride
00:58
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
242
22. Then farewell, dearest land
02:29
Robert Tear, Sir Philip Ledger
Tenor: Robert Tear - Piano: Philip Ledger - Recording Producer: Michael Bremner - Recording Engineer: Stanley Goodall
243
1. Wenn mein Schatz Hochzeit macht
04:55
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer/Author: Gustav Mahler
244
2. Ging heut' morgen übers Feld
04:41
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer/Author: Gustav Mahler
245
3. Ich hab' ein glühend Messer
02:56
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer/Author: Gustav Mahler
246
4. Die zwei blauen Augen von meinem Schatz
05:15
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer/Author: Gustav Mahler
247
1. On a Poet's Lips I slept
03:51
Robert Tear, Academy of St. Martin in the Fields, Neville Marriner
Producer: Michael Bremner - Tenor: Robert Tear - Orchestra: Academy of St Martin in the Fields - Engineer: Stanley Goodall - Conductor: Sir Neville Marriner - Composer: Benjamin Britten
248
2. Below the Thunders of the Upper Deep
03:15
Robert Tear, Cecil James, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Bassoon: Cecil James - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
249
3. Encintured with a Twine of Leaves
02:18
Robert Tear, David Watson, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Harp: David Watson - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
250
4. Midnight's Bell goes ting, ting, ting
02:20
Robert Tear, Ifor James, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Horn: Ifor James - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
251
5. But that Night when on my Bed I Lay
02:58
Robert Tear, Tristan Fry, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Percussion: Tristan Fry - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
252
6. She Sleeps on soft, last Breaths
04:45
Robert Tear, Neil Black, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Cor Anglais: Neil Black - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
253
7. What is more Gentle than a Wind in Summer?
03:43
Robert Tear, William Bennett, Thea King, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Flute: William Bennett - Clarinet: Thea King - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
254
8. When most I wink, then do mine eyes best see
03:52
Robert Tear, Cecil James, David Watson, Ifor James, Tristan Fry, Neil Black, Thea King, William Bennett, Academy of St. Martin in the Fields, Neville Marriner
Tenor: Robert Tear - Bassoon: Cecil James - Harp: David Watson - Horn: Ifor James - Percussion: Tristan Fry - Cor Anglais: Neil Black - Clarinet: Thea King - Flute: William Bennett - Orchestra: Academy of St Martin in the Fields - Conductor: Sir Neville Marriner - Producer: Michael Bremner - Engineer: Stanley Goodall - Composer: Benjamin Britten
255
1. I Fauni
02:02
Robert Tear, The London Chamber Choir, The Argo Chamber Orchestra, Laszlo Heltay
Producer: Chris Hazell - Tenor: Robert Tear - Choir: The London Chamber Choir - Ensemble: The Argo Chamber Orchestra - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
256
2. Egle
03:36
Robert Tear, The London Chamber Choir, London Bach Choir, The Argo Chamber Orchestra, Laszlo Heltay
Producer: Chris Hazell - Tenor: Robert Tear - Choir: The London Chamber Choir - Choir: London Bach Choir - Ensemble: The Argo Chamber Orchestra - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
257
3. Musica in Horto
01:56
Robert Tear, The London Chamber Choir, The Argo Chamber Orchestra, Laszlo Heltay
Producer: Chris Hazell - Tenor: Robert Tear - Choir: The London Chamber Choir - Ensemble: The Argo Chamber Orchestra - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
258
4. Acqua
02:43
Robert Tear, The London Chamber Choir, The Argo Chamber Orchestra, Laszlo Heltay
Producer: Chris Hazell - Tenor: Robert Tear - Choir: The London Chamber Choir - Ensemble: The Argo Chamber Orchestra - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
259
5. Crepuscolo
03:25
Robert Tear, The London Chamber Choir, The Argo Chamber Orchestra, Laszlo Heltay
Producer: Chris Hazell - Tenor: Robert Tear - Choir: The London Chamber Choir - Ensemble: The Argo Chamber Orchestra - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
260
1. Pastor, voie che vegghiate
05:48
Jill Gomez, Meriel Dickinson, Robert Tear, The London Chamber Choir, Laszlo Heltay
Producer: Chris Hazell - Soprano: Jill Gomez - Contralto: Meriel Dickinson - Tenor: Robert Tear - Choir: The London Chamber Choir - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
261
2. Segnor, tu sei desceso
05:02
Jill Gomez, Meriel Dickinson, Robert Tear, The London Chamber Choir, Laszlo Heltay
Producer: Chris Hazell - Soprano: Jill Gomez - Contralto: Meriel Dickinson - Tenor: Robert Tear - Choir: The London Chamber Choir - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
262
3. O car dolce mio figlio
04:41
Jill Gomez, Meriel Dickinson, Robert Tear, The London Chamber Choir, Laszlo Heltay
Producer: Chris Hazell - Soprano: Jill Gomez - Contralto: Meriel Dickinson - Tenor: Robert Tear - Choir: The London Chamber Choir - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
263
4. Segnor, puoie ch'hai degnato
03:27
Jill Gomez, Meriel Dickinson, Robert Tear, The London Chamber Choir, Laszlo Heltay
Producer: Chris Hazell - Soprano: Jill Gomez - Contralto: Meriel Dickinson - Tenor: Robert Tear - Choir: The London Chamber Choir - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
264
5. Voglio ve consolare
06:44
Jill Gomez, Meriel Dickinson, Robert Tear, The London Chamber Choir, Laszlo Heltay
Producer: Chris Hazell - Soprano: Jill Gomez - Contralto: Meriel Dickinson - Tenor: Robert Tear - Choir: The London Chamber Choir - Conductor: Laszlo Heltay - Composer: Ottorino Respighi - Balance Engineer: Stanley Goodall
265
1. I was born in a big Town
06:00
Robert Tear, London Sinfonietta, David Atherton
Tenor: Robert Tear - Ensemble: London Sinfonietta - Conductor: David Atherton - Composer: Michael Tippett
266
2. Know you the land where lemon bushes flower?
09:20
Robert Tear, London Sinfonietta, David Atherton
Tenor: Robert Tear - Ensemble: London Sinfonietta - Conductor: David Atherton - Composer: Michael Tippett
267
3. I passed by their home
12:05
Robert Tear, London Sinfonietta, David Atherton
Tenor: Robert Tear - Ensemble: London Sinfonietta - Conductor: David Atherton - Composer: Michael Tippett
