Lisa della Casa

ALBUM

Una raccolta completa degli album di Lisa della Casa, dalle prime produzioni ai successi più recenti.

Richard Strauss: Arabella; Capriccio; Ariadne auf Naxos – Excerpts - Lisa della Casa, Ilse Hollweg, Rudolf Moralt

Lisa della Casa, Ilse Hollweg, Rudolf Moralt

Richard Strauss: Arabella; Capriccio; Ariadne auf Naxos – Excerpts

Opera Gala – Volume 11
  • Digitale
Lisa Della Casa Sings Handel & Mozart - Lisa della Casa, Wiener Philharmoniker, L'Orchestre de la Suisse Romande

Lisa della Casa, Wiener Philharmoniker, L'Orchestre de la Suisse Romande

Lisa Della Casa Sings Handel & Mozart

  • Digitale
Lisa della Casa In Recital - Lisa della Casa, Karl Hudez, Wiener Philharmoniker

Lisa della Casa, Karl Hudez, Wiener Philharmoniker

Lisa della Casa In Recital

  • Digitale
Mozart: Così fan tutte - Lisa della Casa, Christa Ludwig, Anton Dermota

Lisa della Casa, Christa Ludwig, Anton Dermota

Mozart: Così fan tutte

2 CDs
  • Digitale
Operatic Recital - Lisa della Casa, Wiener Philharmoniker, Heinrich Hollreiser

Lisa della Casa, Wiener Philharmoniker, Heinrich Hollreiser

Operatic Recital

  • Digitale
Richard Strauss Heroines - Birgit Nilsson, Leontyne Price, Lisa della Casa

Birgit Nilsson, Leontyne Price, Lisa della Casa

Richard Strauss Heroines

Australian Eloquence Digital
  • Digitale
Mozart: Don Giovanni - Cesare Siepi, Suzanne Danco, Lisa della Casa

Cesare Siepi, Suzanne Danco, Lisa della Casa

Mozart: Don Giovanni

3 CDs
  • Digitale
Mozart: Le Nozze di Figaro - Alfred Poell, Lisa della Casa, Cesare Siepi

Alfred Poell, Lisa della Casa, Cesare Siepi

Mozart: Le Nozze di Figaro

CD3 of 3
  • Digitale

BIOGRAFIA



Born: 2 February, 1919 Burgdorf, Switzerland
Voice: Soprano

Mozart and Strauss were the household gods throughout the long and hugelysuccessful career of Lisa Della Casa. Curiously, she made her stage debut in 1941 as Cio-Cio San in Madama Butterfly and in her early career sang a diverse repertoire which included Pamina in DieZauberflöte and Serena in Porgy and Bess. She was soon however singing Strauss and began her international career with a memorable Zdenka in Arabella at the 1947 Salzburg Festival and Madeleine in the same composer's Capriccio in 1948. Her British debut was in Mozart, as the Countess in Le Nozze di Figaro at Glyndebourne in 1951.

Early on, she became a member of the legendary 'ensemble' at the Vienna State Opera where she sang most of her important roles. She has been a peerless interpreter of all three main soprano roles in Der Rosenkavalier.

Her excursions n the Strauss repertoire have ranged from Chrysothemis in Elektra and the title role in Ariadne auf Naxos even to Salome. She has been equally praised as a recitalist and again in Strauss her Decca recording of the FourLast Songs has remained a standard by which all others are judged.

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