1
"The Next Day In The City Jail" [The Gospel According To The Other Mary / Act 1 / Scene 1 - Jail / House Of Hospitality]
04:09
Kelley O'Connor, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Mezzo-Soprano: Kelley O'Connor - Recording Producer: Friedemann Engelbrecht - Chorus: Los Angeles Master Chorale - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
2
"Now A Certain Woman Named Martha" [The Gospel According To The Other Mary / Act 1 / Scene 1 - Jail / House Of Hospitality]
02:44
Brian Cummings, Daniel Bubeck, Nathan Medley, Tamara Mumford, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Mezzo-Soprano: Tamara Mumford - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
3
"And She Had A Sister Named Mary" [The Gospel According To The Other Mary / Act 1 / Scene 2 - Mary]
01:41
Brian Cummings, Daniel Bubeck, Nathan Medley, Tamara Mumford, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Mezzo-Soprano: Tamara Mumford - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
4
"I Am Surprised That I Am Beginning To Pray Daily" [The Gospel According To The Other Mary / Act 1 / Scene 2 - Mary]
03:26
Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Kelley O'Connor - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
5
"En un día de amor yo bajé hasta la tierra" [The Gospel According To The Other Mary / Act 1 / Scene 2 - Mary]
04:16
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Chorus: Los Angeles Master Chorale - Recording Producer: Friedemann Engelbrecht - Orchestra: Los Angeles Philharmonic - Engineer: Enno Mäemets - Conductor: Gustavo Dudamel - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
6
"Now A Certain Man Was Sick" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
04:01
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
7
Lazarus Dies While The Sisters Await Jesus [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
02:04
Los Angeles Philharmonic, Gustavo Dudamel
Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
8
"Why Standest Thou Afar Off, O Lord?" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
02:27
Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Tamara Mumford - Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
9
"In My Own Quietly Explosive Here" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
02:49
Kelley O'Connor, Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Kelley O'Connor - Mezzo-Soprano: Tamara Mumford - Counter-Tenor: Brian Cummings - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Daniel Bubeck - Engineer: Enno Mäemets - Editor: Alexander Feucht - Counter-Tenor: Nathan Medley - Orchestra: Los Angeles Philharmonic - Mixer: Wolfgang Schiefermair - Conductor: Gustavo Dudamel
10
"Don’t Touch My Left Arm" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
01:53
Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Kelley O'Connor - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
11
"When Mary Was Come Where Jesus Was" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
03:42
Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Mezzo-Soprano: Kelley O'Connor - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
12
"Jesus Said, Take Ye Away The Stone" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
01:52
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Chorus Master: Grant Gershon - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Chorus: Los Angeles Master Chorale - Orchestra: Los Angeles Philharmonic - Mixer: Wolfgang Schiefermair - Conductor: Gustavo Dudamel
13
"And When He Thus Had Spoken" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
04:19
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
14
"Drop Down, Ye Heavens, From Above" [The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus]
03:08
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Chorus: Los Angeles Master Chorale - Recording Producer: Friedemann Engelbrecht - Orchestra: Los Angeles Philharmonic - Engineer: Enno Mäemets - Conductor: Gustavo Dudamel - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
15
"Then Jesus Six Days Before The Passover" [The Gospel According To The Other Mary / Act 1 / Scene 4 - Supper At Bethany]
00:43
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
16
"For The Grave Cannot Praise Thee" [The Gospel According To The Other Mary / Act 1 / Scene 4 - Supper At Bethany]
06:39
Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
Tenor: Russell Thomas - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
17
"Then Took Mary A Pound Of Ointment" [The Gospel According To The Other Mary / Act 1 / Scene 4 - Supper At Bethany]
04:46
Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O'Connor, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Chorus Master: Grant Gershon - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Mezzo-Soprano: Kelley O'Connor - Chorus: Los Angeles Master Chorale - Mixer: Wolfgang Schiefermair - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel
18
"And There Were Some That Had Indignation" [The Gospel According To The Other Mary / Act 1 / Scene 5 - Passover]
01:40
Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Tenor: Russell Thomas - Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
19
"We Know There Will Be No Utopias" [The Gospel According To The Other Mary / Act 1 / Scene 5 - Passover]
05:20
Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Tamara Mumford - Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
20
"Tell Me: How Is This Night Different" [The Gospel According To The Other Mary / Act 1 / Scene 5 - Passover]
09:29
Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
Tenor: Russell Thomas - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
21
"Who Rips His Own Flesh Down The Seams" [The Gospel According To The Other Mary / Act 2]
03:49
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Chorus: Los Angeles Master Chorale - Recording Producer: Friedemann Engelbrecht - Orchestra: Los Angeles Philharmonic - Engineer: Enno Mäemets - Conductor: Gustavo Dudamel - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
22
"Martha And Mary, Not Knowing" [The Gospel According To The Other Mary / Act 2 / Scene 1 - Police Raid]
05:40
Brian Cummings, Daniel Bubeck, Nathan Medley, Russell Thomas, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Chorus Master: Grant Gershon - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Tenor: Russell Thomas - Chorus: Los Angeles Master Chorale - Mixer: Wolfgang Schiefermair - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel
23
Instrumental Introduction [The Gospel According To The Other Mary / Act 2 / Scene 2 - Arrest Of The Women]
02:26
Los Angeles Philharmonic, Gustavo Dudamel
Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
24
"Up At Two A.M., Picketed All Day" [The Gospel According To The Other Mary / Act 2 / Scene 2 - Arrest Of The Women]
01:29
Tamara Mumford, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Tamara Mumford - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
25
"The Said Defendants" [The Gospel According To The Other Mary / Act 2 / Scene 2 - Arrest Of The Women]
02:54
Tamara Mumford, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Mezzo-Soprano: Tamara Mumford - Recording Producer: Friedemann Engelbrecht - Chorus: Los Angeles Master Chorale - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
26
"Jesús, incomparable perdonador de injurias" [The Gospel According To The Other Mary / Act 2 / Scene 2 - Arrest Of The Women]
03:02
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus: Los Angeles Master Chorale - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Chorus Master: Grant Gershon - Mixer: Wolfgang Schiefermair
27
"And They Were Come Unto A Place Called Golgotha" [The Gospel According To The Other Mary / Act 2 / Scene 3 - Golgotha]
06:14
Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Mezzo-Soprano: Kelley O'Connor - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
28
"Daughters Of Jerusalem, Weep Not For Me" [The Gospel According To The Other Mary / Act 2 / Scene 3 - Golgotha]
03:03
Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Chorus: Los Angeles Master Chorale - Recording Producer: Friedemann Engelbrecht - Orchestra: Los Angeles Philharmonic - Engineer: Enno Mäemets - Conductor: Gustavo Dudamel - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
29
"Now There Stood By The Cross Of Jesus" [The Gospel According To The Other Mary / Act 2 / Scene 3 - Golgotha]
01:27
Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Tamara Mumford - Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Counter-Tenor: Nathan Medley - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
30
"When Jesus Saw His Mother" [The Gospel According To The Other Mary / Act 2 / Scene 3 - Golgotha]
02:13
Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
31
"When The Rain Began To Fall" [The Gospel According To The Other Mary / Act 2 / Scene 4 - Night]
07:35
Kelley O'Connor, Los Angeles Philharmonic, Gustavo Dudamel
Mezzo-Soprano: Kelley O'Connor - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
32
"His Son Cried Out To Him" [The Gospel According To The Other Mary / Act 2 / Scene 4 - Night]
01:32
Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
Tenor: Russell Thomas - Orchestra: Los Angeles Philharmonic - Recording Producer: Friedemann Engelbrecht - Conductor: Gustavo Dudamel - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
33
"Now In The Place Where He Was Crucified" [The Gospel According To The Other Mary / Act 2 / Scene 5 - Burial / Spring]
04:35
Brian Cummings, Daniel Bubeck, Nathan Medley, Gustavo Dudamel, Los Angeles Philharmonic
Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Recording Producer: Friedemann Engelbrecht - Counter-Tenor: Nathan Medley - Engineer: Enno Mäemets - Conductor: Gustavo Dudamel - Editor: Alexander Feucht - Orchestra: Los Angeles Philharmonic - Mixer: Wolfgang Schiefermair
34
Mary Awakens On The Third Morning [The Gospel According To The Other Mary / Act 2 / Scene 5 - Burial / Spring]
02:08
Los Angeles Philharmonic, Gustavo Dudamel
Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel - Recording Producer: Friedemann Engelbrecht - Engineer: Enno Mäemets - Editor: Alexander Feucht - Mixer: Wolfgang Schiefermair
35
"It Is Spring" [The Gospel According To The Other Mary / Act 2 / Scene 5 - Burial / Spring]
04:02
Kelley O'Connor, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Mezzo-Soprano: Kelley O'Connor - Recording Producer: Friedemann Engelbrecht - Chorus: Los Angeles Master Chorale - Engineer: Enno Mäemets - Orchestra: Los Angeles Philharmonic - Editor: Alexander Feucht - Conductor: Gustavo Dudamel - Mixer: Wolfgang Schiefermair
36
“And, Behold, There Was A Great Earthquake" [The Gospel According To The Other Mary / Act 2 / Scene 6 - Earthquake And Recognition]
03:18
Kelley O'Connor, Tamara Mumford, Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Mezzo-Soprano: Kelley O'Connor - Recording Producer: Friedemann Engelbrecht - Mezzo-Soprano: Tamara Mumford - Engineer: Enno Mäemets - Tenor: Russell Thomas - Editor: Alexander Feucht - Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Mixer: Wolfgang Schiefermair - Counter-Tenor: Nathan Medley - Chorus: Los Angeles Master Chorale - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel
37
"Why Seek Ye The Living Among The Dead?" [The Gospel According To The Other Mary / Act 2 / Scene 6 - Earthquake And Recognition]
06:25
Kelley O'Connor, Tamara Mumford, Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic, Gustavo Dudamel
Chorus Master: Grant Gershon - Mezzo-Soprano: Kelley O'Connor - Recording Producer: Friedemann Engelbrecht - Mezzo-Soprano: Tamara Mumford - Engineer: Enno Mäemets - Tenor: Russell Thomas - Editor: Alexander Feucht - Counter-Tenor: Brian Cummings - Counter-Tenor: Daniel Bubeck - Mixer: Wolfgang Schiefermair - Counter-Tenor: Nathan Medley - Chorus: Los Angeles Master Chorale - Orchestra: Los Angeles Philharmonic - Conductor: Gustavo Dudamel
